On Love and Barley

‘Orchid – breathing incense into butterfly’s wings’ Basho, one of the greatest of Japanese poets and the master of haiku, was also a Buddhist monk and a life-long traveller. His poems combine ‘karumi’, or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world – the cherry blossom, the leaping frog, the summer moon or the winter snow – suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him. These meticulous translations by Lucien Stryk capture the refined artistry of the originals. This edition contains notes and an introduction that discusses how the life and beliefs of Basho influenced his work. About The Author Basho, the Japanese poet and diarist, was born in Iga-ueno near Kyoto in 1644. He spent his youth as companion to the son of the local lord, and with him he studied the writing of seventeen-syllable verse. In 1667 he moved to Edo (now Tokyo) where he continued to write verse. He eventually became a recluse, living on the outskirts of Edo in a hut. When he traveled he relied entirely on the hospitality of temples and fellow-poets. In his writings he was strongly influenced by the Zen sect of Buddhism.